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Grateful Dead 50th Farewell Tour http://www.dead.net/
  Date Venue - City, State City Media  
1. 06/27/15 Flac 24 - 0, 133706 Santa Clara Levi’s Stadium 24 Bit Recording Sonics Studios DSM6 Omni's > Sony PCM-M10 > WAV 2496. Hat-mounted mics, G.A. Pit center, aprx 35-feet from stage. Recording by Richie Stankiewicz. WAV 2496 > Wavelab > CD-Wave (24bit) > TLH > FLAC 2496 tagged notes
2. 06/27/15 Flac - 0, 133682 Santa Clara Levi’s Stadium Sonics Studios DSM6 Omni's > Sony PCM-M10 > WAV 2496. Hat-mounted mics, G.A. Pit center, aprx 35-feet from stage. Recording by Richie Stankiewicz. WAV 2496 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged notes
3. 06/27/15 Flac - 0, 133642 Santa Clara Levi’s Stadium Source: Schoeps MK4v(DIN)>kc5>m222>nt222>788t Location: OTS Transfer: 788t>Wavelab 6>CD Wave>Wavelab 6>Flac Taped and Transferred by: Derek Davis notes
4. 06/27/15 Flac - 0, 133646 Santa Clara Levi’s Stadium Source: Schoeps MK4's>Schoeps CMR's>Naiant PFA>Edirol UA-5 (BM2p+)>Edirol R-09HR Transfer: SDHC>Adobe Audition>Cakewalk pyro>.WAV>FLAC (5) Location: OTS ~ 10' notes
5. 06/27/15 Flac - 0, 133816 Santa Clara Levi’s Stadium Taper: George Wang Source: DPA 4023 > Sound Devices 722 @ 24/96 Location: GA Floor, 100 feet center WAV > FLAC: .wav @ 24/96 > Audacity 1.3.9 (Unicode) (dither to 16/44.1) notes
6. 06/27/15 Flac 24 - 0, 133817 Santa Clara Levi’s Stadium Taper: George Wang Source: DPA 4023 > Sound Devices 722 @ 24/96 Location: GA Floor, 100 feet center WAV > FLAC: .wav @ 24/96 > Audacity 1.3.9 (Unicode) notes
7. 06/27/15 Flac 16 Mtx - 0, 135261 Santa Clara Levi’s Stadium flac16; Matrix 2 Source Mix - SBD (no shnid) Webcast Audio -> SBD + AUD (shn id 133646) Source: Schoeps MK4's>Schoeps CMR's>Naiant PFA>Edirol UA-5 (BM2p+)>Edirol R-09HR Transfer: SDHC>Adobe Audition>Cakewalk pyro>.WAV>FLAC (5) Location: OTS ~ 10' - matrix mixing by Kevin Tobin notes
8. 06/27/15 Flac 16/48 - 0, 135263 Santa Clara Levi’s Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (no shnid) Webcast Audio -> SBD + AUD (shn id 133646) Source: Schoeps MK4's>Schoeps CMR's>Naiant PFA>Edirol UA-5 (BM2p+)>Edirol R-09HR Transfer: SDHC>Adobe Audition>Cakewalk pyro>.WAV>FLAC (5) Location: OTS ~ 10' - mixing by Kevin Tobin notes
9. 06/27/15 Flac Dts 5.1 - 0, 135262 Santa Clara Levi’s Stadium DTS-Audio-CD 5.1 Mix; SBD (no shnid) Webcast Audio -> SBD + AUD (shn id 133646) Source: Schoeps MK4's>Schoeps CMR's>Naiant PFA>Edirol UA-5 (BM2p+)>Edirol R-09HR Transfer: SDHC>Adobe Audition>Cakewalk pyro>.WAV>FLAC (5) Location: OTS ~ 10' - dts mixing by Kevin Tobin notes
10. 06/27/15 Flac 16 - 0, 134495 Santa Clara Levi’s Stadium flac16: SBD + AUD Matrix Mix (65%-SBD/35%-FOB)- 3 Source Mix by Dan Haugh notes
11. 06/28/15 Flac - 0, 133625 Santa Clara Levi’s Stadium Source: Milab VM-44 Link S-cards -> Sonosax SX-R4 (24/96) Location: OTS, 10' high, DINa Transfer: Sonosax SX-R4 -> AudioGate (16/44) -> CD Wave -> Flac(6) notes
12. 06/28/15 Flac - 0, 133647 Santa Clara Levi’s Stadium Source: Schoeps MK4's>Schoeps CMR's>Naiant PFA>Edirol UA-5 (BM2p+)>Edirol R-09HR Transfer: SDHC>Adobe Audition>Cakewalk pyro>.WAV>FLAC (5) Location: OTS ~ 10' notes
13. 06/28/15 Flac 24 - 0, 133760 Santa Clara Levi’s Stadium 24 Bit Recording Sonics Studios DSM6 Omni's > Sony PCM-M10 > WAV 2496. Hat-mounted mics, G.A. Pit center, aprx 35-feet from stage. Recording by Richie Stankiewicz. WAV 2496 > Wavelab > CD-Wave (24bit) > TLH > FLAC 2496 tagged. notes
14. 06/28/15 Flac - 0, 144761 Santa Clara Levi’s Stadium Sonics Studios DSM6 Omni's > Sony PCM-M10 > WAV 2496. Hat-mounted mics, G.A. Pit center, aprx 35-feet from stage. Recording by Richie Stankiewicz. WAV 2496 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. notes
15. 06/28/15 Flac 16 - 0, 134496 Santa Clara Levi’s Stadium flac16: SBD + AUD Matrix Mix (65%-SBD/35%-FOB)- 3 Source Mix by Dan Haugh notes
16. 06/28/15 Flac - 0, 134011 Santa Clara Levi’s Stadium Taper: George Wang Source: DPA 4023 > Sound Devices 722 @ 24/96 Location: GA Floor, 10 feet center WAV > FLAC: .wav @ 24/96 > Audacity 1.3.9 (Unicode) (dither to 16/44.1) notes
17. 06/28/15 Flac 24 - 0, 134019 Santa Clara Levi’s Stadium 24 Bit Recording Taper: George Wang Source: DPA 4023 > Sound Devices 722 @ 24/96 Location: GA Floor, 10 feet center WAV > FLAC: .wav @ 24/96 > Audacity 1.3.9 (Unicode) notes
18. 07/03/15 Flac - 0, 133725 Chicago Soldier Field WXRT FM > Pioneer TX-9100 > Soundblaster Audigy 2 ZS @ 24 bit 48khz > Sound Forge for edits & resampling > flac16 notes
19. 07/03/15 Flac - 0, 133730 Chicago Soldier Field Source: Audio Technica U853R-C > Shure FP24 > Sony PCM-M10 (24/44.1)
Mastering: (24/44.1) WAV > Adobe Audition 3.0.1 > (16/44.1) WAV > Totalrecorder 8.5 > (16/44.1) WAV > Trader's Little Helper 2.7 > FLAC
notes
20. 07/03/15 Flac - 0, 133729 Chicago Soldier Field DPA 4021 ORTF 8' high center OTS both directions
DPA windscreens
Rec by Eric Wilkens
notes
21. 07/03/15 Flac 24 - 0, 133759 Chicago Soldier Field 24 Bit Recording Schoeps CMC6/MK4 -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.1.1 -> FLAC/24 Recorded By Charlie Miller notes
22. 07/03/15 Flac - 0, 133758 Chicago Soldier Field Schoeps CMC6/MK4 -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.1.1 -> FLAC/16 Recorded By Charlie Miller notes
23. 07/03/15 Flac - 0, 133681 Chicago Soldier Field Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48) OTS/BOB/DFC/KFC/ZFC/AARP 8 1/2' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man notes
24. 07/03/15 Flac - 0, 133686 Chicago Soldier Field Digital Master Audience Recording Recorded from Taper’s Section Sennheiser MKH-8040s > Tascam DR-680 > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar) Recorded by Bill Walker notes
25. 07/03/15 Flac - 0, 133770 Chicago Soldier Field Field: AKG C414xls Cardioid setting > Edirol R4Pro ( Oade preamp mod ) @ 24/88.2 config: pointed at PA array, directly in front of the SBD, dead center, 6.5 feet high Approximately 130 feet from stage. Path: R4Pro > WaveBurner ( track on sector boundaries, fades, SRC, BDC ) > xACT ( to flac, and for tagging and checksums ) Recorded, processed and let loose by Mike Kutik notes
26. 07/03/15 Flac 16 Mtx - 0, 133798 Chicago Soldier Field flac16; Matrix 2 Source Mix - SBD (shnid=133725) WXRT FM > Pioneer TX-9100 > Soundblaster Audigy 2 ZS @ 24 bit 48khz > Sound Forge for edits & resampling > flac16 + AUD (shn id 133686) Digital Master Audience Recording Recorded from Taper’s Section Sennheiser MKH-8040s > Tascam DR-680 > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar) Recorded by Bill Walker - matrix mixing by Kevin Tobin notes
27. 07/03/15 Flac Dts 5.1 - 0, 133799 Chicago Soldier Field DTS-Audio-CD 5.1 Mix; SBD (shnid=133725) WXRT FM > Pioneer TX-9100 > Soundblaster Audigy 2 ZS @ 24 bit 48khz > Sound Forge for edits & resampling > flac16 + AUD (shn id 133686) Digital Master Audience Recording Recorded from Taper’s Section Sennheiser MKH-8040s > Tascam DR-680 > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar) Recorded by Bill Walker - dts mixing by Kevin Tobin notes
28. 07/03/15 Flac 24 - 0, 133815 Chicago Soldier Field Microtech Gefell M-210 > Oade M-248 > Sound Devices 722 > WAV 2448. Transfer: WAV 2448 > Wavelab > CD-Wave (24bit) > TLH > FLAC 2448 tagged. Recording by Jon Pasternak, FOB center G.A. Pit, 75-feet from the stage. notes
29. 07/03/15 Flac - 0, 133814 Chicago Soldier Field Microtech Gefell M-210 > Oade M-248 > Sound Devices 722 > WAV 2448. Transfer: WAV 2448 > Wavelab > CD-Wave (24bit) > R8Brain > TLH > FLAC 1644 tagged. Recording by Jon Pasternak, FOB center G.A. Pit, 75-feet from the stage notes
30. 07/03/15 Flac 16 Mtx - 0, 133798 Chicago Soldier Field flac16; Matrix 2 Source Mix - SBD (shnid=133725) WXRT FM > Pioneer TX-9100 > Soundblaster Audigy 2 ZS @ 24 bit 48khz > Sound Forge for edits & resampling > flac16 + AUD (shn id 133686) Digital Master Audience Recording Recorded from Taper’s Section Sennheiser MKH-8040s > Tascam DR-680 > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar) Recorded by Bill Walker - matrix mixing by Kevin Tobin notes
31. 07/03/15 Flac 24 - 0, Chicago Soldier Field notes
32. 07/03/15 Flac 16 - 0, 134497 Chicago Soldier Field flac16: SBD + AUD Matrix Mix (65%-SBD/35%-FOB)- 3 Source Mix by Dan Haugh notes
33. 07/04/15 Flac - 0, 133726 Chicago Soldier Field WXRT FM > Pioneer TX-9100 > Soundblaster Audigy 2 ZS @ 24-bit 48khz > Sound Forge for edits & resampling > flac16 notes
34. 07/04/15 Flac 24 - 0, 133707 Chicago Soldier Field 24 Bit Recording Info: Schoeps CMC6/MK4 -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.1.1 -> FLAC/24 Recorded By Charlie Miller notes
35. 07/04/15 Flac - 0, 133708 Chicago Soldier Field Recording Info: Schoeps CMC6/MK4 -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.1.1 -> FLAC/16 Recorded By Charlie Miller notes
36. 07/04/15 Flac - 0, 133685 Chicago Soldier Field Recorded with Neumann KM184’s > Tascam DR-100 mk2 @ 48 kHZ/24 bit Behind stage, 14th row center, 6’5” high, NOS All post production with Macbook Pro, Logic Pro X, and xACT. Recorded by D. Fries notes
37. 07/04/15 Flac - 0, 133705 Chicago Soldier Field Neumann 140's > V-3 > Sound Devices 744t - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16 Recorded by David Dyche notes
38. 07/04/15 Flac - 0, 133790 Chicago Soldier Field Busman BSC2 + AKG 480/CK61 + Sennheiser MKH-8040s > Tascam DR-680 > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar) notes
39. 07/04/15 Flac - 0, 133754 Chicago Soldier Field Oshman's Schoeps CMC 5--U, MK4 Cardioids (Supported by an authentic, Peter Oshman-provided Schoeps T-Bar!) -> SONOSAX SX-M2 -> Zoom H6 (WAV 96/24). Processed with Audacity, xACT -> 16/44.1 notes
40. 07/04/15 Flac - 0, 133797 Chicago Soldier Field Source: AKG ck61 > Naiant Couplings/PFA > Naiant Tinybox > Sony M-10 (24/48) Transfer: M-10 > iMac. Tracked and dithered with Sound Studio; FLAC via xACT Recorded from front of OTS by Alex Leary notes
41. 07/04/15 Flac 24 - 0, 133850 Chicago Soldier Field Microtech Gefell M-210 > Oade M-248 > Sound Devices 722 > WAV 2448. Transfer: WAV 2448 > Wavelab > CD-Wave (24bit) > TLH > FLAC 2448 tagged. Recording by Jon Pasternak notes
42. 07/04/15 Flac - 0, 133851 Chicago Soldier Field Microtech Gefell M-210 > Oade M-248 > Sound Devices 722 > WAV 2448. Transfer: WAV 2448 > Wavelab > CD-Wave (24bit) > R8Brain > TLH > FLAC 1644 tagged. Recording by Jon Pasternak notes
43. 07/04/15 Flac - 0, 133866 Chicago Soldier Field flac16; Matrix 2 Source Mix - SBD (shnid=133726) WXRT FM > Pioneer TX-9100 > Soundblaster Audigy 2 ZS @ 24 bit 48khz > Sound Forge for edits & resampling > flac16 + AUD (shn id 133707) 24 Bit Recording Info: Schoeps CMC6/MK4 -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.1.1 -> FLAC/24 Recorded By Charlie Miller - matrix mixing by Kevin Tobin notes
44. 07/04/15 Flac Dts 5.1 - 0, 133867 Chicago Soldier Field DTS-Audio-CD 5.1 Mix; SBD (shnid=133726) WXRT FM > Pioneer TX-9100 > Soundblaster Audigy 2 ZS @ 24 bit 48khz > Sound Forge for edits & resampling > flac16 + AUD (shn id 133707) 24 Bit Recording Info: Schoeps CMC6/MK4 -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.1.1 -> FLAC/24 Recorded By Charlie Miller - dts mixing by Kevin Tobin notes
45. 07/04/15 Flac - 0, 133870 Chicago Soldier Field Source: Audio Technica U853R-C > Shure FP24 > Sony PCM-M10 (24/44.1) Mastering: (24/44.1) WAV > Adobe Audition 3.0.1 > (16/44.1) WAV > Totalrecorder 8.5 > (16/44.1) WAV > Trader's Little Helper 2.7 > FLAC Taped, edited, and transferred by Spyder9 Studios Location: Behind stage, Section 251, Row 16, Seat 17, FOB, ROC. notes
46. 07/04/15 Flac 16 - 0, 134494 Chicago Soldier Field flac16: SBD + AUD Matrix Mix (65%-SBD/35%-FOB)- 3 Source Mix by Dan Haugh notes
47. 07/05/15 Flac - 0, 133727 Chicago Soldier Field WXRT FM > Pioneer TX-9100 > Soundblaster Audigy 2 ZS @ 24-bit 48khz > Sound Forge for edits & resampling > flac16 notes
48. 07/05/15 Flac - 0, 144693 Chicago Soldier Field Field: AKG C414xls Hypercardioid/Cardioid setting > Edirol R4Pro ( Oade preamp mod ) @ 24/88.2 config: pointed at PA array, directly in front of the SBD, dead center, 6.5 feet high Approximately 140 feet from stage. Path: R4Pro > WaveBurner ( track on sector boundaries, fades, SRC, BDC ) > xACT ( to flac, and for tagging and checksums ) Recorded, processed and let loose by Mike Kutik notes
49. 07/05/15 Flac - 0, 133694 Chicago Soldier Field Neumann 140's > V-3 > Sound Devices 744t - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16 Recorded by David Dyche notes
50. 07/05/15 Flac - 0, 133692 Chicago Soldier Field Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48) FOB/DFC/KFC/ZFC/AARP Approximately 70' From Stage, 6 1/2' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man notes
51. 07/05/15 Flac - 0, 133734 Chicago Soldier Field Recorded by goother (John Goldthwaite) Sandisk Sansa Clip+ FM Receiver > Zoom H2 line in > (@ 16/44.1 wav) > SD card All editing done in Adobe Audition 1.5 notes
52. 07/05/15 Flac - 0, 133791 Chicago Soldier Field Busman BSC2 + AKG 480/CK61 + Sennheiser MKH-8040s > Tascam DR-680 > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar notes
53. 07/05/15 Flac - 0, 133872 Chicago Soldier Field DPA 4021 ORTF 8' high center OTS both directions DPA windscreens Rec by Eric Wilkens notes
54. 07/05/15 Flac - 0, 133864 Chicago Soldier Field Source: Microtech Gefell M-210 > Oade M-248 > Sound Devices 722 > WAV 2448. Transfer: WAV 2448 > Wavelab > CD-Wave (24bit) > R8Brain > TLH > FLAC 1644 tagged. Recording by Jon Pasternak, FOB center G.A. Pit, 75-feet from the stage notes
55. 07/05/15 Flac - 0, 133869 Chicago Soldier Field Source: Audio Technica U853R-C > Shure FP24 > Sony PCM-M10 (24/44.1) Mastering: (24/44.1) WAV > Adobe Audition 3.0.1 > (16/44.1) WAV > Totalrecorder 8.5 > (16/44.1) WAV > Trader's Little Helper 2.7 > FLAC Taped, edited, and transferred by Spyder9 Studios Location: Behind stage, Section 251, Row 16, Seat 17, FOB, ROC. notes
56. 07/05/15 Flac Dts 5.1 - 0, 134062 Chicago Soldier Field DTS-Audio-CD 5.1 Mix; SBD (shnid=133727) WXRT FM > Pioneer TX-9100 > Soundblaster Audigy 2 ZS @ 24 bit 48khz > Sound Forge for edits & resampling > flac16 + AUD (shn id 133869) Audio Technica U853R-C > Shure FP24 > Sony PCM-M10 (24/44.1) Mastering: (24/44.1) WAV > Adobe Audition 3.0.1 > (16/44.1) WAV > Totalrecorder 8.5 > (16/44.1) WAV > Trader's Little Helper 2.7 > FLAC Taped, edited, and transferred by Spyder9 Studios Location: Behind stage, Section 251, Row 16, Seat 17, FOB, ROC. - dts mixing by Kevin Tobin notes
57. 07/05/15 Flac 16 Mtx - 0, 134061 Chicago Soldier Field flac16; Matrix 2 Source Mix - SBD (shnid=133727) WXRT FM > Pioneer TX-9100 > Soundblaster Audigy 2 ZS @ 24 bit 48khz > Sound Forge for edits & resampling > flac16 + AUD (shn id 133869) Audio Technica U853R-C > Shure FP24 > Sony PCM-M10 (24/44.1) Mastering: (24/44.1) WAV > Adobe Audition 3.0.1 > (16/44.1) WAV > Totalrecorder 8.5 > (16/44.1) WAV > Trader's Little Helper 2.7 > FLAC Taped, edited, and transferred by Spyder9 Studios Location: Behind stage, Section 251, Row 16, Seat 17, FOB, ROC. - matrix mixing by Kevin Tobin notes
58. 07/05/15 Flac 16 - 0, 134493 Chicago Soldier Field flac16SBD + AUD Matrix Mix (65%-SBD/35%-FOB)- 3 Source Mix by Dan Hough notes

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